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 • Junior Library Guild Selection 1995 It is summer and it is HOT. Dogs pant. Women carry umbrellas for the shade. But the running, dancing narrator is busy. Drawing. Teasing her shadow. Eating Popsicles. Here is a perfect book for all seasons: If you are 

A good book for a hot summer day
Hot Summer Day ©Nina Crews 1995, HarperCollins Publishers

A good book for a hot summer day

August in New York City – “Dogs pant. Hydrants are open. Women carry umbrellas for the shade.”  Those words were written over twenty years ago during another hot, sticky New York summer and come from my very first picture book, One Hot Summer Day – now in print for 

BELOW – paperback edition!
© Nina Crews 2006 Nina Crews Studio Paperback Edition

BELOW – paperback edition!

BELOW is now available as a print-on-demand paperback!

Last fall, I got the news that one of my favorite books, BELOW, was going out of print. I’ve had other books go out of print before and I have always felt disappointed, but rarely surprised. This time I was surprised. BELOW had been named an ALA Notable book and a Junior Library Guild selection. Sales were never big, but steady, and the book was always a hit when I read it aloud to school groups. I was also in the midst of facilitating a big order for a school visit when I learned that no reprints were forthcoming.
Below jacket

My editor encouraged me to look into keeping the book available through print-on-demand services – she worked with other authors who were doing so. I knew self publishing was getting easier and better. I did some searching for a service that offered good quality and reasonable pricing. Soon, I was ready to take action. The original art was finished digitally, so there was no need to scan the existing book as is sometimes done with reprints. I did need to digitally rebuild the layouts and the type, but overall it was pretty simple to create new production files for print. The paperback looks great. Good color, crisp type and very much like the hardcover original.

BELOW can now be ordered retail through Barnes and Noble; Amazon and wholesale through the Ingram Book Group.

Buy a copy or two!!

The Neighborhood Sing-Along
©Nina Crews 2011 • Greenwillow Books HarperCollins • ISBN:9780061850639

The Neighborhood Sing-Along

• Bank Street Children’s Book Committee – Building Blocks Selection for Children Five & Under Playground songs and classroom songs, silly songs and sweet songs, wake–up songs and bedtime songs…  Nina Crews brings her energetic style of illustration to this collection of thirty-four perennial favorites. 

Reflections: The work of Ann Jonas

Reflections: The work of Ann Jonas

There is an exhibition of my mother, Ann Jonas’s, picture books on display now at the Brooklyn Public Library’s Central branch. We are so pleased with this exhibition that includes many of her books, early student work and design work. It has given us a 

Writing Process Blog Tour

Writing Process Blog Tour

Thank you Marisabina Russo for tagging me in the Writing Process Blog Tour! I really enjoyed reading about your writing process at!

What am I working on?

Poetry continues to be a source of inspiration for me. I loved photographing contemporary scenes to illustrate nursery rhymes in The Neighborhood Mother Goose. In my new project (working title – Each Green Leaf), I will photo illustrate nine haiku written by Richard Wright, (the African American novelist) and pair them with a brief biography that will explore Wright’s life and creative journey. I love haiku and believe it a great form to study with kids. Writing the biography was fun and challenging. It was quite a task to condense such a rich life into a few pages. The book will be published by Egmont USA and is slated for Spring 2016.

EGL sketch
©Nina Crews – Sketch for Richard Wright Haiku book.

How does my work differ from others of its genre?

Some of my favorite classic children’s book authors are Ezra Jack Keats; Else Homelund Minarik and Arnold Lobel. I have always loved writing which is simple, honest and playful and have attempted to follow that model in my books. One aspect that makes my books distinct from most others in the picture book field is that I use photography for my illustrations. I think there are so many possibilities for photography in children’s books and love the work of so many of my fellow photographers in this field like Walter Wick; JoAnne Dugan; Nick Bishop; Charles R. Smith and William Wegman to name a few. Most photographic picture books are non-fiction, but I create fictional stories and use collage and drawing to manipulate the photographs. This gives me freedom to be playful and to experiment, while staying rooted in the world we live in. I can follow a girl as she imagines visiting the moon in I’ll Catch the Moon; I can pretend a whole family lives in a pair of men’s shoes to illustrate ‘The Old Woman Who Lived in a Shoe’ in The Neighborhood Mother Goose and I can show what Jack imagines might be happening to his toy, Guy, under the stairs in Below. 

©Nina Crews – Below 2006

Why do I write what I do?

There are topics I tend to return to again and again – how children play; what children imagine; city life and the diversity of our world. I was a big daydreamer as a kid and I try to honor that in children when I write. I am interested in children’s rich inner life and how that intersects with the world they live in. In Sky-High Guy, the sequel to Below, Jack must learn how to share the imaginary games he plays with his toy, Guy, with his younger brother Gus. In The Neighborhood Sing-Along, I pair classic songs with scenes of contemporary kids that are both naturalistic and fanciful. And I photograph children who reflect the multicultural fabric of our world. I believe it is important for children to see themselves reflected in a narrative and also important to find empathy with children that they may see as different from themselves.

Sing-Along Skip to My Lou
©Nina Crews The Neighborhood Sing-Along 2011

 How does my writing process work? 

The best metaphor I can think of is that writing a story is like untangling a cord of Christmas tree lights. Sometimes it goes easily and sometimes it goes poorly and feels very frustrating. Success means that I can hang the lights where I want and light up the room with something fun.

©Nina Crews – Thumbnail sketches for Below 2005

I usually start with a visual inspiration and then write the story and create thumbnail sketches; rewrite the story; then make more detailed sketch for the entire book; edit the story again and then finally am ready to create the finished art. Again, this is what makes being an author/illustrator so satisfying. The words and pictures are in conversation from the very beginning of the process.

One Hot Summer Day PG2-3
©Nina Crews  One Hot Summer Day 1995

There is really no telling how long it might take. I love rewriting – it’s like getting those last kinks out of that tangled cord. Picture books are a bit like poetry – every word matters. My first editor, Susan Hirschman, gave me two pieces of advice. The first, to read my stories aloud and, the second, that a good story should make a child say “again” when you reached the end. And the latter is ultimately what I aspire to, creating a story that can be read again and again and again.

Tag you’re it! Up next Selina Alko and Javaka Steptoe– two very talented author illustrators and friends. I can’t wait to read their posts for The Writing Process Blog Tour.

Selina Alko was born in Vancouver, British Columbia and has been making books in New York City for over 20 years. Selina illustrated the dynamic New York City-themed children’s books My Subway Ride and My Taxi Ride, and is the author and illustrator of Every-Day Dress-Up, B is for Brooklyn and Daddy Christmas & Hanukkah Mama. In a stared review for B is for Brooklyn, Publisher’s Weekly wrote, “Alko (is) among the most visually eloquent promoters of junior-sized urbanism.” Selina lives in Park Slope, Brooklyn with her husband, illustrator Sean Qualls, and their two children. You can find her at:

Javaka Steptoe is an eclectic young artist, designer, and illustrator, building a national reputation as an outstanding contributor to the genre of children’s literature. His debut work, In Daddy’s Arms I Am Tall: African Americans Celebrating Fathers, earned him the Coretta Scott King Illustrator Award, a nomination for Outstanding Children’s Literature Work at the 1998 NAACP Image Awards, a finalist ranking for the Bluebonnet Award for Excellence in Children’s Books, and countless other honors. His books, Do You Know What I’ll Do?authored by Charlotte Zolotow and A Pocketful of Poems authored by Nikki Grimes, received starred reviews from both Publishers Weekly and the ALA Booklist. Hot Day on Abbott Avenue, written by Karen English, received the 2005 Jane Addams Children’s Book Award. Steptoe is also the author/illustrator of The Jones Family Express. His most recent illustration projects include Rain Play by Cynthia Cotten, published in 2008 and Amiri and Odette: A Love Storyby multi award winning author Walter Dean Myers, forthcoming in January 2009. You can find him at:



Poor Guy!

Poor Guy!

Poor Guy has lost a leg! Jack’s fearless adventure companion featured in my two books, Below and Sky-High Guy, needs some repair. When I was first planning the photographs for Below, I knew that I wanted Jack’s favorite toy to be one that would only 

©Nina Crews 1997 Greenwillow Books, HarperCollins Publishers


The weather report says “Snow.” Yet there is no sign of it on Monday, or Tuesday or Wednesday or Thursday. But oh, when it comes, it is as thick and white and wonderful as the young narrator dreamed. Zip up your jacket and come outside. 

© Nina Crews 2006.  Nina Crews Studio Paperback Edition ISBN: 9780692434475


• ALA Notable Book 2007
• Junior Library Guild Selection 2006
• Read On Wisconsin book of the month December 2006

Jack and his action figure Guy have many adventures together, and the tall, narrow staircase in Jack’s house provides the perfect setting. Jack and Guy climb mountains, visit cities, and explore forests. But one day Guy falls down a hole in the stairs, and it’s up to Jack to rescue him. What is going on below the stairs?
Only Guy knows.

Publisher’s Weekly – “This fanciful look at play will likely hit high notes with young readers.” (Ages 3-6)


Jack and the Beanstalk
©Nina Crews 2011 Christy Ottaviano Books, Henry Holt and Company ISBN: 9780805087659

Jack and the Beanstalk

Jack receives beans from his neighbor and – lo and behold! – those beans lead him up a beanstalk and into the company of giants. How will he ever get back home? In her innovative photo-collage style, Nina Crews freshens up a beloved children’s tale